Fine Art Poster
From $29
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
A detailed topographical study of the Baths of Caracalla in Rome, featuring figures and a carriage, rendered in graphite and grey wash.
This drawing by Guilliam du Gardijn captures the imposing ruins of the Baths of Caracalla in Rome. As a Dutch artist active during the early seventeenth century, du Gardijn belonged to a generation of Northern European painters who travelled to Italy to study classical antiquity. His approach here is one of careful observation, documenting the massive brickwork and vaulted structures that remained of the imperial complex.
The composition balances the monumental scale of the ancient architecture against the presence of contemporary figures. In the foreground, a horse-drawn carriage and several visitors provide a sense of scale, suggesting the site was a destination for travellers and scholars during the period. The use of graphite and grey wash allows for a subtle rendering of light and shadow, which defines the weathered surfaces of the ruins without relying on heavy outlines. The artist focuses on the structural integrity of the remaining walls, capturing the texture of the masonry and the encroaching vegetation that had begun to reclaim the site.
Du Gardijn employs a light touch, typical of the period's topographical studies, where the goal was to record the appearance of a site with accuracy. The drawing functions as both a travel record and an exercise in perspective. By placing the carriage near the base of the ruins, the artist creates a clear spatial relationship between the viewer, the foreground activity, and the distant horizon. This work provides a glimpse into how seventeenth-century artists perceived the remnants of the Roman Empire, viewing them as both subjects for study and backdrops for daily life. The print captures the original tonal qualities of the wash, preserving the delicate balance between the architectural forms and the open, airy atmosphere of the Roman countryside.
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
Care & Cleaning
To keep your artwork looking its best:
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From $29
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From $89
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
You May Also Like
We use cookies to measure our marketing and see which prints people love.We use cookies to measure our marketing.
By continuing to browse, you agree · Privacy Policy