A detailed hand-coloured engraving depicting the biblical encounter between Moses and the divine, executed by the Flemish master Johann Sadeler I.

This hand-coloured engraving by Johann Sadeler I depicts the biblical narrative of the burning bush, as described in the Book of Exodus. The composition is divided into distinct zones of action, a common technique in late sixteenth-century printmaking to convey multiple stages of a story within a single frame. In the foreground, Moses is shown removing his sandals, an act of reverence upon holy ground. To the right, he appears again, kneeling in prayer before the divine manifestation emerging from the foliage. The background provides a pastoral setting, with a shepherd tending a flock, which contrasts with the supernatural event occurring in the immediate vicinity.

Sadeler, a member of a prolific family of engravers based in Flanders, was known for his technical precision and his ability to translate complex theological subjects into accessible visual narratives. The work features the characteristic cross-hatching and fine line work typical of the period, which provides structure to the figures and the surrounding terrain. The application of colour, likely added after the initial printing, softens the starkness of the black ink lines and brings a sense of atmosphere to the scene. The inclusion of Latin and French text at the base of the print identifies the subject matter and provides a scriptural reference, reflecting the educational and devotional function of such prints during the Renaissance. This piece offers a clear view into the aesthetic priorities of the era, where narrative clarity and technical mastery were held in high regard by both patrons and collectors.