Goyu, from the series The Fifty-three Stations of the Tōkaidō Road - Utagawa Hiroshige
Archival giclée
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Description
A classic Ukiyo-e woodblock print by Utagawa Hiroshige, depicting labourers crossing a bridge at the Goyu station on the Tōkaidō road.
This woodblock print by Utagawa Hiroshige depicts the thirty-sixth station of the Tōkaidō road, Goyu. The scene captures a group of labourers carrying large, square containers across a wooden bridge. Their rhythmic movement is balanced by the stillness of the surrounding environment, which includes thatched-roof buildings and a prominent willow tree. The composition employs a clear foreground and middle ground, with the bridge acting as a structural element that guides the eye across the frame. Hiroshige utilised the traditional woodblock printing technique to achieve the subtle colour gradients seen in the sky, which transitions from a deep blue at the top to a pale yellow near the horizon. The figures are rendered with simplified forms, focusing on their posture and the physical exertion of their task. The inclusion of calligraphic text in the upper right corner provides context, a common feature in Ukiyo-e prints of this period. The colour palette remains restrained, relying on earthy tones for the architecture and vegetation, contrasted against the blue of the water and sky. As part of the series documenting the route between Edo and Kyoto, this work reflects the travel culture of the Edo period. Hiroshige observed the daily life of travellers, merchants, and workers, presenting these scenes with a focus on atmosphere and weather conditions. The print demonstrates the technical precision of the carvers and printers who collaborated with the artist to produce these editions. The use of negative space and the arrangement of the figures create a sense of depth, despite the two-dimensional nature of the medium. This print offers a view into the historical transit routes of Japan, capturing a moment of routine activity within the broader journey along the Tōkaidō.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Goyu, from the series The Fifty-three Stations of the Tōkaidō Road - Utagawa Hiroshige
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Utagawa Hiroshige
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