Hatsuito of the Yamashiroya Likened to Bush Clover - Suzuki Harunobu
Archival giclée
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Description
A classic nishiki-e woodblock print by Suzuki Harunobu, depicting a courtesan and her attendant in a refined interior setting.
This woodblock print by Suzuki Harunobu belongs to the series Beauties of the Floating World Compared to Flowers. Harunobu is credited with the development of nishiki-e, or brocade prints, which allowed for the use of multiple colour blocks to create sophisticated, multi-hued images. This technical advancement transformed the aesthetic possibilities of the medium. The composition depicts Hatsuito, a celebrated courtesan of the Yamashiroya house, alongside an attendant. The figures are rendered with the slender, ethereal proportions characteristic of Harunobu's work. They occupy an interior space defined by flat planes of colour and architectural lines, which create a sense of quiet domesticity. The scene includes a hanging scroll featuring a monkey, adding a layer of symbolic playfulness common in the cultural milieu of the Edo period. Harunobu uses a muted palette to evoke the subtle textures of the kimono fabrics and the surrounding environment. The inclusion of calligraphy at the top of the print integrates text and image, a standard practice in ukiyo-e that invites the viewer to engage with both the visual and literary elements of the work. The bush clover, referenced in the title, serves as a seasonal motif, linking the human subject to the natural world. This print demonstrates the artist's ability to balance decorative patterns with human gesture, capturing a moment of refined leisure within the pleasure districts of eighteenth-century Japan.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Hatsuito of the Yamashiroya Likened to Bush Clover - Suzuki Harunobu
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Suzuki Harunobu
Harunobu moved away from the stiff portraits of kabuki actors common in his era. He preferred to depict young women in their daily lives, often using an elevated viewpoint to look into private spaces. His series Zashiki hakkei, or Eight Parlour Views, provides a clear example of his method. He took classical Chinese themes and reimagined them as domestic scenes. A temple bell might become a chiming clock. A distant storm is represented by a woman drying herself after a bath.
Modern collectors value these prints for their quiet atmosphere and precise compositions. Harunobu avoided the aggressive energy of later ukiyo-e artists. He chose instead to focus on slender figures and soft colour harmonies. His work captures specific moments of leisure, such as playing cat's cradle or walking by the shore. These scenes offer a calm window into eighteenth-century Japan. They remain popular because they balance historical detail with a clean, graphic sensibility that suits contemporary interiors.
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