A detailed sixteenth-century etching by Gerard de Jode depicting the discovery of Polydorus by Hecuba, set against a sprawling, imaginary coastal city.

This etching by the Dutch cartographer and printmaker Gerard de Jode depicts a scene from Ovid's Metamorphoses. The narrative focuses on Hecuba, the queen of Troy, who discovers the body of her son Polydorus washed ashore after his betrayal and murder by Polymestor. The composition is characteristic of Northern Mannerist printmaking, where the human drama is situated within a vast, constructed environment.

In the foreground, Hecuba and her attendants are positioned on the shoreline, reacting to the discovery of the corpse amidst turbulent, stylised waves. The background features a sprawling, imaginary city with fortified castles, towers, and a harbour, reflecting the period's fascination with architectural fantasy and panoramic views. The artist employs a high vantage point, allowing for a detailed survey of the coastal geography and the surrounding cliffs.

The print exhibits the technical precision typical of the de Jode workshop, which was highly active in Antwerp during the late sixteenth century. The use of cross-hatching and varied line weights creates a sense of depth and texture, particularly in the rendering of the rocky outcrops and the agitated surface of the sea. Latin text inscribed at the base provides the narrative context, a common feature in educational and moralising prints of the era. This work demonstrates the period's interest in combining classical literary themes with the meticulous detail of contemporary topographical and architectural illustration. The print serves as an example of the sophisticated graphic production that defined the Antwerp school, where printmakers often collaborated with scholars to produce works that appealed to humanists and collectors of the time.