A detailed 17th-century engraving by Gérard Edelinck depicting the Dutch artist Hendrick Goltzius holding a sketch.

This engraving by Gérard Edelinck depicts the Dutch painter and printmaker Hendrick Goltzius. Edelinck, a Flemish engraver who spent much of his career in Paris, is recognised for his technical precision and his ability to translate the tonal qualities of oil painting into the medium of copperplate engraving. In this work, he captures the subject in a three-quarter view, wearing a cap and a heavy, draped garment that suggests the period attire of the late sixteenth or early seventeenth century.

The composition follows the conventions of formal portraiture common in the seventeenth century. Goltzius holds a small sketch or print in his hand, a detail that identifies his profession. The use of cross-hatching and varied line weights creates a sense of volume in the fabric and depth in the facial features. The background is kept dark, which pushes the figure forward and focuses the viewer's attention on the sitter's expression and the texture of his beard and clothing. Below the figure, a stone ledge serves as a base for the inscription, which identifies the subject as 'Henricus Goltius Pictor et Sculptor'.

Edelinck’s mastery of the burin is evident in the subtle transitions between light and shadow across the face. The print demonstrates the high level of craftsmanship expected of professional engravers during the reign of Louis XIV, when the reproduction of portraits was a primary method for disseminating the likenesses of notable figures. This piece is a fine example of the reproductive printmaking tradition, where the engraver acts as an interpreter of the original artist's style and character. The work remains a clear record of the appearance of one of the most influential figures of the Dutch Mannerist movement, preserved through the technical skill of one of the most accomplished engravers of the Baroque era.