An architectural study of the country estate Het huis Peking in Baarn, rendered in graphite and ink wash by David Pièrre Giottino Humbert de Superville.

This architectural study by David Pièrre Giottino Humbert de Superville depicts the country estate known as Het huis Peking, located in Baarn. The artist, a Dutch polymath and draughtsman, captures the structure with a focus on its distinct, exoticised roofline and geometric detailing. The drawing employs a combination of graphite lines and light ink washes to define the building's form against a sparse background.

The house itself is rendered with attention to its ornamental features, including the latticework on the balcony and the triangular dormer windows. The surrounding trees are suggested through minimal, vertical strokes, providing a sense of the estate's setting without distracting from the primary subject. The composition is balanced, with the house positioned centrally, reflecting the artist's interest in structured, clear forms.

Humbert de Superville was known for his theoretical work on art and his precise, analytical approach to drawing. This sketch demonstrates his ability to document architectural subjects with clarity and restraint. The use of wash adds a subtle depth to the roof and shadows, grounding the structure on the page. The work provides a glimpse into the architectural tastes of the period, where elements of Chinoiserie or exotic styles were occasionally integrated into Dutch country estates. The drawing remains a record of a specific site, preserved through the artist's disciplined hand and observational skill. It is an example of the preparatory or documentary sketches that informed the broader practice of artists during the early nineteenth century.