Illustration to 'Chad Gadya' - El Lissitzky
Archival giclée
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Description
El Lissitzky's 1919 lithograph, 'Illustration to Chad Gadya', is a striking example of Suprematist-influenced illustration, blending geometric abstraction with Jewish cultural themes in a dynamic composition.
This lithograph is one of eleven plates created by El Lissitzky in 1919 as illustrations for the Yiddish folk song 'Chad Gadya' (One Kid). Lissitzky's interpretation moves away from traditional literal depictions of the song's narrative, instead employing a visual language rooted in Suprematism and Constructivism. The series marks a significant point in Lissitzky's artistic development, as he began to explore the fusion of Jewish culture with avant-garde aesthetics. The image features a dynamic composition of geometric forms and symbolic imagery. A stylised rooster, rendered in red and white, dominates the scene, its form abstracted into curved shapes. Below, a cluster of buildings suggests a village, depicted with angular lines and simplified forms. Hebrew text is integrated into the design, arching over the rooster and appearing at the bottom of the image. The colour palette is restrained, with red, green, and black against a cream background, contributing to the print's graphic impact.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Illustration to 'Chad Gadya' - El Lissitzky
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
El Lissitzky
He was born Lazar Markovich Lissitzky in 1890. After returning to Russia, he worked alongside Malevich at the UNOVIS art school in Vitebsk, where Suprematism and the revolution were supposed to be the same thing. He became one of the most influential graphic designers of the twentieth century, his poster designs, book layouts, and exhibition installations connecting Russian avant-garde art to the Bauhaus and De Stijl in western Europe.
He contracted pulmonary tuberculosis and continued working as a book artist and photomonteur because he could do it lying down. His sister Jenta committed suicide in Vitebsk in 1925 while he was hospitalised in Switzerland. He married Sophie Kuppers, a German woman whose family disapproved of the match; she had to leave her sons behind to move to Moscow. He died in Moscow in 1941, the year Germany invaded Russia.
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