A classic ukiyo-e woodblock print by Utagawa Hiroshige depicting the Ishiyakushi station on the Tōkaidō road. It features a large blue mountain and scenes of rural life.

Utagawa Hiroshige produced this woodblock print as part of his series documenting the fifty-three stations of the Tōkaidō road. This specific station, Ishiyakushi, is the forty-fourth stop on the coastal route connecting Edo and Kyoto. The composition features a large, rounded mountain that occupies the upper half of the frame. Hiroshige used a deep blue pigment at the peak, which fades into a softer green through the bokashi technique. This method of colour gradation creates a sense of atmospheric depth without relying on Western linear perspective. In the foreground, the artist depicts the daily activities of the local population. Labourers work in the fields, and travellers move along the path leading toward the village. The village itself consists of several buildings with thatched roofs, partially obscured by a line of trees. A temple gate is visible on the left, referencing the Ishiyakushi-ji temple from which the station takes its name. The use of a limited colour palette, dominated by indigo and sage green tones over a grey base, provides a calm atmosphere to the scene. The publisher, Hoeidō, released this series during the Tenpō era, a time when domestic travel became a popular leisure activity in Japan. Hiroshige captured the physical characteristics of the route, including the specific flora and architectural styles of the Mie Prefecture region. The trees in the mid-ground are rendered with individual brush-like strokes, showing the influence of the Kanō school of painting on his early training. The sky at the top of the print features a reddish band, suggesting the light of early morning or late afternoon. This use of colour helps to define the time of day, a recurring theme throughout the series. The figures are small but active, providing a sense of scale against the massive form of the mountain. One traveller is mounted on a horse, while others carry goods on poles, illustrating the common modes of transport during the Edo period.