A refined aquatint portrait of the French writer Jean de la Fontaine, executed by the engraver Pierre Michel Alix in the late eighteenth century.

This portrait of the French fabulist Jean de la Fontaine is an aquatint engraving by Pierre Michel Alix. Alix was a skilled practitioner of the colour aquatint process, a technique that allowed for subtle tonal gradations and a painterly quality often absent in standard line engravings. The work captures the subject in a bust-length format, framed within an oval border. La Fontaine is depicted with long, flowing hair and a white cravat, draped in a red cloak that provides a strong contrast against the muted background.

The engraving demonstrates the technical precision typical of late eighteenth-century French printmaking. Alix used the aquatint medium to soften the contours of the face and clothing, creating a sense of volume and depth. The inscription at the base identifies the subject and provides the publication details, noting the work was produced in Paris by the editor Marie-François Drouhin. This print reflects the period interest in documenting historical figures through refined graphic arts. The composition is balanced and restrained, adhering to the aesthetic conventions of the time. The soft application of colour, achieved through multiple plates or careful hand-colouring, gives the portrait a lifelike appearance. It remains a clear example of the collaborative nature of print production, where the engraver translated the likeness of a literary figure into a format suitable for wider circulation among the educated public of the era.