Joseph Adoring the Child, who is Held in Mary’s Arms - Giovanni Domenico Tiepolo
Archival giclée
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Description
An etching by Giovanni Domenico Tiepolo shows the Holy Family's flight into Egypt, with Mary and the infant Jesus on a donkey led by Joseph, surrounded by angels.
This etching by Giovanni Domenico Tiepolo depicts the Holy Family during their flight into Egypt. Mary, holding the infant Jesus, rides on a donkey led by Joseph. A host of angels surrounds them, both guiding and protecting the sacred travellers. Two cherubic angels hover above, connected to the scene by lines that may represent divine guidance or intervention. The background shows a distant town, possibly representing the world from which they are seeking refuge. The composition, rendered in fine lines, creates a sense of movement and ethereal grace. The figures are detailed, with careful attention paid to the drapery and expressions. The landscape, though secondary, adds depth and context to the scene. Tiepolo's skill in etching is evident in the delicate rendering of light and shadow, which enhances the overall dramatic effect. The print captures a moment of both vulnerability and divine protection, reflecting the religious themes prevalent in 18th-century art.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Joseph Adoring the Child, who is Held in Mary’s Arms - Giovanni Domenico Tiepolo
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Giovanni Domenico Tiepolo
He was born in Venice in 1727, the eldest son of Giovanni Battista Tiepolo, the greatest ceiling painter in Europe. By thirteen he was his father's chief assistant; by twenty he was producing independent commissions. He assisted at Wurzburg (1751 to 1753), at the Villa Valmarana in Vicenza (1757), and at the Royal Palace in Madrid (1762 to 1770).
His father's death in Madrid in 1770 freed him to develop his own direction. He returned to Venice and turned increasingly away from the luminous Baroque grandeur of his father's work toward genre scenes, religious subjects treated with narrative intimacy, and the Punchinello drawings that became his finest achievement. In retirement at the family villa at Zianigo, he painted frescoes now in the Correr Museum and produced nearly two hundred etchings. He died in Venice in 1804, at seventy-six.
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