Judith Displaying the Head of Holofernes - Luca Giordano
Archival giclée
Ready to hang
Secure checkout
Made to order
Description
A dynamic Baroque composition by Luca Giordano depicting the biblical heroine Judith amidst a chaotic battlefield, watched over by celestial figures.
Luca Giordano, a prolific Neapolitan painter of the late Baroque period, demonstrates his characteristic speed and fluid brushwork in this dramatic composition. The scene depicts the biblical heroine Judith, who has successfully assassinated the Assyrian general Holofernes to save her people. She stands atop a rocky outcrop, holding the severed head aloft as a sign of victory, while the surrounding battlefield remains in a state of chaotic conflict. Giordano employs a complex, multi-layered composition that draws the eye from the foreground skirmish up toward the celestial realm. In the upper portion of the canvas, a divine figure emerges from a burst of golden light, surrounded by a host of angels. This vertical arrangement creates a clear distinction between the terrestrial violence below and the heavenly intervention above. The artist uses a palette of muted earth tones for the soldiers and the rocky terrain, which contrasts with the luminous, ethereal blues and golds of the sky. His technique is marked by loose, expressive strokes that define form through light and shadow rather than rigid outlines. This approach, often associated with his later years, allows for a sense of movement and urgency. The figures are caught in dynamic poses, with horses rearing and soldiers lunging, contributing to the overall energy of the narrative. Giordano was known for his ability to synthesise influences from Venetian masters like Veronese and Titian, and this work reflects that interest in atmospheric effects and grand, theatrical staging. The painting functions as a study in contrast, balancing the brutal reality of war with the spiritual triumph of the protagonist.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Judith Displaying the Head of Holofernes - Luca Giordano
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Why Choose Us ?
100% Satisfaction Guarantee
Fast Shipping
Museum-Quality Materials
Artist Biography
Luca Giordano
He was born in Naples in 1634 and trained under Jusepe de Ribera. Around 1652 he travelled to Rome, where he absorbed Pietro da Cortona's Baroque dynamism and studied the High Renaissance masters. His other nickname, Proteus, came from his ability to produce convincing pastiches in the style of almost any painter: Durer, Titian, Veronese. The skill was admired rather than criticised; versatility was a virtue in Baroque Naples.
In 1692, Charles II of Spain invited him to Madrid, where he spent ten years painting frescoes in the Escorial, the Royal Palace and other buildings. His Spanish work is among his best: the scale suited his ambition, and the court demanded the gold brush. He returned to Naples in 1702 after the king's death.
His late paintings, lighter and less rhetorical than his Roman-influenced middle period, anticipated the Rococo. Fragonard admired them a generation later. Giordano was generous with money, particularly to poorer artists, and spent large sums on acts of patronage and charity. His output was enormous, running to thousands of works across oil and fresco. He died in Naples in 1705, at seventy.
You May Also Like

