La Belle Jardinière - May - Eugène Grasset
Archival giclée
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Description
A classic Art Nouveau lithograph by Eugène Grasset, depicting a woman in a garden surrounded by irises, representing the month of May.
This work is a plate from the series 'La Belle Jardinière', created by the Swiss-born artist Eugène Grasset in 1896. Grasset was a significant figure in the development of the Art Nouveau style, particularly through his influence on graphic design and decorative arts. His work often combined a fascination with botanical forms with a structured, linear approach to composition. In this depiction of May, a young woman sits in a garden, her attention directed toward a cluster of dark blue irises. The composition is defined by clear, dark outlines and a flat application of colour, which reflects the influence of Japanese woodblock prints on European artists of the period. The scene is framed by decorative elements, including a wreath containing the month's name and a balanced arrangement of foliage. The palette is dominated by soft, warm tones in the background, which contrast with the deep blues of the flowers and the woman's attire. Grasset’s approach to this series demonstrates his ability to integrate human figures into natural settings without sacrificing the decorative quality of the image. The figure is rendered with a gentle grace, her posture relaxed as she interacts with the garden. The surrounding trees and shrubs are simplified into graphic shapes, creating a sense of order within the natural environment. This print captures the aesthetic sensibilities of the late nineteenth century, where the boundary between fine art and commercial illustration became increasingly fluid. The work remains a clear example of the graphic clarity and stylistic consistency that defined Grasset's contributions to the Art Nouveau movement.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
La Belle Jardinière - May - Eugène Grasset
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Eugène Grasset
Grasset was born in Lausanne in 1845, the son of a cabinetmaker and sculptor who taught him to use a chisel before he could draw. He studied drawing under Francois Bocion, then architecture in Zurich. A trip to Egypt after completing his education left a permanent mark on his visual vocabulary. He moved to Paris in 1871 and began designing furniture, wallpapers, fabrics, tapestries, ceramics and jewellery before turning to graphic design in 1877.
Poster art became his primary medium. His style drew on Viollet-le-Duc's theories of decorative structure, Japanese woodblock prints and Egyptian ornament, combined into flowing compositions that helped define Art Nouveau before the term existed. The G. Peignot et Fils typefoundry introduced the "Grasset" typeface at the 1900 Universal Exhibition, an italic design he created for use on his posters. He also collaborated with the jeweller Henri Vever on pieces that merged Art Nouveau organic forms with mythological subjects.
He taught design at a succession of Paris institutions from 1890 until 1913, including the Ecole Guerin, the Ecole Estienne and the Academie de la Grande Chaumiere. His influence on the generation of designers who followed him was extensive but largely unacknowledged outside France. He died in 1917, at seventy-two.
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