La Petite Toilette - Charles Maurin
Archival giclée
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Description
A delicate etching and aquatint by Charles Maurin, capturing a quiet domestic moment of a mother and child at their morning wash.
Charles Maurin, a French artist associated with the Symbolist movement, produced this work during the late nineteenth century. The image depicts a domestic scene: a woman assisting a young child with washing. The composition focuses on the interaction between the two figures, rendered with a delicate, linear quality that defines the forms of their clothing and bodies against a softly suggested interior background. Maurin was known for his technical experimentation in printmaking, particularly his mastery of aquatint and etching. This piece demonstrates his ability to create tonal variation through fine lines and subtle shading. The monochromatic green ink choice provides a quiet, unified aesthetic that directs the viewer to the gentle posture of the mother and the stance of the child. The background elements, such as the draped fabric and the basin, are kept minimal to maintain focus on the central figures. As a contemporary of artists like Félix Vallotton and Henri de Toulouse-Lautrec, Maurin shared an interest in capturing private, everyday moments. His work often reflects the stylistic tendencies of the period, favouring a balance between realistic observation and a decorative, graphic sensibility. The print captures a fleeting moment of care, presented with a restraint that avoids sentimentality. The use of a single colour palette is characteristic of the period's interest in experimental print techniques, where the choice of ink became an integral part of the artistic expression. This print offers a view into the domestic life of the era, rendered with the precision and technical skill that defined Maurin's career as a printmaker.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
La Petite Toilette - Charles Maurin
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Charles Maurin
He was born in Le Puy-en-Velay in 1856. The Prix Crozatier funded his move to Paris, where he studied at the Ecole des Beaux-Arts under Jules Lefebvre and at the Academie Julian, where he later taught. He exhibited at the Salon from 1883 and participated in the Rose+Croix exhibitions between 1892 and 1897.
His dual mastery of painting and printmaking made him a bridging figure between Symbolism and the 1890s revival of colour printmaking. His colour etchings and wood engravings from this period are technically accomplished and compositionally inventive. His painted work, particularly his Symbolist studies of maternity, combines academic draughtsmanship with the decorative flatness of the Nabis. He was among a handful of artists who understood both the chemical processes of printmaking and the aesthetic possibilities of colour on paper, and his technical innovations influenced the next generation of French printmakers. He died in 1914, at fifty-eight, on the eve of the war that would scatter the world he had helped build.
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