A dynamic Futurist composition by Gino Severini, depicting the kinetic energy of charging lancers through fragmented geometric forms.

Gino Severini, a central figure in the Italian Futurist movement, painted Lancers in 1915. The work captures the kinetic energy and mechanical obsession characteristic of the period. Severini, who spent much of his career in Paris, synthesised the analytical approach of Cubism with the Futurist desire to depict speed, force, and the dynamism of modern life. In this composition, the figures of the lancers are fragmented into geometric planes. The horses and riders merge with the surrounding terrain, creating a sense of unified motion. The long, diagonal lines of the lances cut across the canvas, directing the eye and reinforcing the forward momentum of the charge. Severini uses a palette of earthy tones, punctuated by sharper contrasts, to define the shifting forms. The painting reflects the early twentieth-century fascination with conflict and technology. By breaking down the subject into overlapping facets, Severini avoids a static representation. Instead, he presents a sequence of movements compressed into a single frame. The background, composed of angular fields and hills, echoes the rhythm of the riders, suggesting that the entire environment participates in the action. This piece demonstrates the artist's technical precision and his ability to translate complex movement into a structured visual language. It remains a representative example of how the Futurist aesthetic sought to break from traditional perspective, favouring instead a multi-dimensional view of reality. The work is held in the collection of the Estorick Collection of Modern Italian Art in London, which houses a significant number of works by Severini and his contemporaries.