Landscape with Hay Cart, Church Towers and Windmill - Theo van Doesburg
Archival giclée
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Description
A rural scene by Theo van Doesburg, 'Landscape with Hay Cart, Church Towers and Windmill' captures a hay cart in a field with a windmill and church towers on the horizon.
This early landscape painting by Dutch artist Theo van Doesburg depicts a rural scene with a hay cart in the foreground. Painted in 1907, it shows the artist's early exploration of form and colour before his later, more abstract works. The composition features a broad, flat field of green, punctuated by a hay cart laden with freshly cut hay. In the distance, the silhouettes of church towers and a windmill punctuate the horizon line, adding depth to the scene. The sky is overcast, rendered in muted greys and whites, which casts a soft light over the entire composition. Van Doesburg's brushwork is visible, with short, broken strokes that capture the texture of the grass and the weight of the hay. The painting's palette is dominated by greens and greys, with touches of yellow in the hay and darker tones in the distant trees and buildings. The overall effect is one of quiet observation, capturing a fleeting moment in the rural Dutch countryside. This work provides insight into the artist's development, showing his early engagement with representational subject matter before his transition to geometric abstraction and his role within the De Stijl movement.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Landscape with Hay Cart, Church Towers and Windmill - Theo van Doesburg
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Theo van Doesburg
He was born in Utrecht in 1883. After encountering Mondrian's work around 1915, he sought him out and together they launched the magazine De Stijl in 1917, along with Bart van der Leck, Vilmos Huszar, J.J.P. Oud and Antony Kok. Van Doesburg was the movement's organiser, publicist and ambassador, travelling across Europe to promote Neoplasticism while Mondrian stayed in his studio.
In 1922 he moved to Weimar and set up an unofficial school near the Bauhaus to attract students to Constructivist and De Stijl ideas. Walter Gropius acknowledged the influence but refused to give Van Doesburg a teaching post. The rivalry was productive: Bauhaus design absorbed De Stijl principles without crediting the source.
The break with Mondrian came over diagonals. Mondrian insisted on strictly horizontal and vertical lines; Van Doesburg introduced the diagonal in his Counter-Compositions, arguing for dynamic rather than static geometry. They stopped speaking. In 1929 they met accidentally in a Paris cafe and reconciled.
He married three times. His third wife, Nelly van Moorsel, was an artist, pianist and choreographer. He died in Davos in 1931, at forty-seven, from a heart attack. De Stijl ended with him.
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