Le Bon Graveur: Adolphe Albert - Henri de Toulouse-Lautrec
Archival giclée
Ready to hang
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Made to order
Description
A sensitive lithographic portrait of the master printer Adolphe Albert, captured by Henri de Toulouse-Lautrec in 1898.
This lithograph by Henri de Toulouse-Lautrec depicts Adolphe Albert, a professional printer and engraver who collaborated with the artist on various print projects. The work captures Albert in a moment of focused labour, hunched over his workbench with a stylus in hand. Toulouse-Lautrec employs a soft, granular texture characteristic of the lithographic medium, using varied pressure to build up the shadows around the figure and the workspace. The background remains largely suggested, allowing the viewer to concentrate on the subject's posture and the concentration evident in his expression. Adolphe Albert was a significant figure in the Parisian printmaking scene during the late nineteenth century. His technical expertise allowed artists like Toulouse-Lautrec to experiment with the possibilities of stone lithography. In this portrait, the artist avoids the theatricality often associated with his cabaret scenes, opting instead for a quiet, observational study of a craftsman at work. The composition is balanced, with the horizontal lines of the workbench providing a stable foundation for the figure. The artist's signature monogram appears in the lower left, confirming the work's place within his broader graphic output. This print offers a glimpse into the collaborative nature of artistic production in fin-de-siècle Paris, where the relationship between the painter and the master printer was essential to the success of the medium.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Le Bon Graveur: Adolphe Albert - Henri de Toulouse-Lautrec
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Henri de Toulouse-Lautrec
Toulouse-Lautrec's posters and paintings, such as 'At the Moulin Rouge' and 'Jane Avril,' immortalised the iconic figures of the era. He elevated the art of lithography, using bold colours and innovative compositions to create striking advertisements and artworks. His distinctive style, characterised by flattened perspectives and expressive line work, defied academic convention and embraced the energy of modern life.
Despite his tragically short life, cut short by alcoholism and syphilis at just 36, Toulouse-Lautrec left an indelible mark on art history. He bridged the gap between fine art and commercial design, influencing generations of artists and solidifying his place as a key figure in Post-Impressionism. His works offer a glimpse into a vibrant and often overlooked side of Parisian society, capturing the spirit of a bygone era with enduring appeal.
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