A striking floral study by Piet Mondrian from his early Symbolist period, featuring a white lily against a textured blue background.

Piet Mondrian painted this study of a lily around 1909 or 1910. During this period, the Dutch artist was moving away from traditional representation toward a more expressive, symbolic style. This work belongs to a series of flower studies where Mondrian explored the structure and essence of individual plants. The lily is rendered with thick, visible brushstrokes that create a sense of physical weight. The composition is simple. A single flower head curves across the upper portion of the canvas, supported by a long, diagonal stem. Mondrian used a palette of cool blues, greys, and whites. The background is not a flat space but a textured field of short, rhythmic marks. These marks suggest an atmospheric quality, surrounding the flower with a hazy light. The white petals are built up with impasto, catching the light and providing a tactile contrast to the darker surroundings. This painting reflects Mondrian's interest in Theosophy and the search for spiritual order in nature. He often chose flowers like lilies, chrysanthemums, and amaryllis for their formal qualities and symbolic associations with purity or decay. While Mondrian is most famous for his later abstract grids, these early floral works demonstrate his early focus on reducing a subject to its fundamental lines and colours. The blue outlines around the flower head suggest a transition toward the more structured approach he would later adopt in his Neoplasticist works. The artist often returned to the subject of flowers when he needed to generate income, yet these pieces were never mere commercial products. They allowed him to experiment with the interaction between an object and its surrounding space. In this specific piece, the blue tones dominate the canvas, creating a somber mood that differs from his more brightly coloured Luminist landscapes of the same era. The focus remains entirely on the organic form of the lily, isolated against the void of the background.