A striking woodcut print from William Nicholson's 1898 'London Types' series, depicting a sandwich man with bold lines and a limited, earthy colour palette.

This woodcut print is part of the 'London Types' series, a collection published in 1898 that captures the diverse characters inhabiting the streets of the capital at the turn of the century. William Nicholson employs a restricted palette of black, white, and ochre, a technique that draws inspiration from the bold aesthetic of Japanese woodblock prints. The composition focuses on a sandwich man, a common sight in Victorian London, who carries advertising boards suspended from his shoulders. The text on his board, 'Ecce Homo', adds a layer of irony to the mundane task of street advertising. Nicholson uses heavy, confident lines to define the figure against the background. The lack of excessive detail allows the viewer to focus on the silhouette and the posture of the subject. The print avoids sentimentality, presenting the man as a functional element of the urban environment. His clothing is rendered with simple, repetitive patterns that suggest texture without cluttering the visual field. The background elements, such as the architectural steps and the passing pedestrian, are reduced to basic shapes, ensuring the sandwich man remains the primary subject. This work reflects the artist's interest in the graphic potential of the woodcut medium. By stripping away unnecessary ornamentation, Nicholson achieves a clarity that was quite distinct from the prevailing illustrative styles of the era. The print serves as a historical record of a specific social class and occupation, documenting the visual culture of London during a period of rapid urban change. It is a direct, honest depiction that relies on economy of form to convey its subject matter effectively.