A detailed nineteenth-century engraving depicting King Louis XVI providing aid to impoverished citizens during the harsh winter of 1788.

This engraving, executed by Auguste Jean Baptiste Marie Blanchard after a painting by Hersent, depicts the French monarch Louis XVI providing assistance to impoverished citizens during the severe winter of 1788. The scene is set in a rural environment, where the king, dressed in a heavy fur-lined coat, interacts with a group of peasants. The composition focuses on the act of charity, with the monarch positioned centrally as he offers aid to a woman and her children.

The visual narrative employs a clear, linear style characteristic of early nineteenth-century French printmaking. The figures are rendered with precise attention to their period attire, from the king's formal coat to the worn garments of the rural families. The background features simple cottages and bare trees, suggesting the harsh conditions of the winter season. The use of cross-hatching and varied line weights creates a sense of depth and texture, particularly in the depiction of the snow-covered ground and the wooden tools resting in the foreground.

Historically, such works were produced to shape public perception of the monarchy. By portraying Louis XVI in a benevolent light, the print aims to humanise the sovereign, contrasting with the political instability that would soon follow. The print captures a specific moment of social interaction, reflecting the artistic interest in moralising historical subjects during the Bourbon Restoration. The technical execution demonstrates the skill of Blanchard in translating the tonal qualities of an oil painting into the monochromatic medium of engraving. The work remains a document of how historical events were interpreted and disseminated through the medium of print culture in the early nineteenth century.