A striking 1917 woodcut portrait of art dealer Ludwig Schames, rendered in the raw, angular style of German Expressionism.

This woodcut portrait depicts Ludwig Schames, a Frankfurt art dealer who provided significant support to Ernst Ludwig Kirchner during the artist's period of convalescence in Switzerland. Executed in 1917, the work demonstrates the characteristic aesthetic of German Expressionism, specifically the raw, angular approach to form that defined the Die Brücke group. Kirchner employs a stark contrast between black ink and the negative space of the paper, creating a sense of psychological intensity. The composition focuses on the subject's face, rendered with jagged, rhythmic lines that suggest both physical features and an internal state of agitation. The beard is depicted through a series of sharp, downward-pointing strokes, while the eyes are hollowed out, conveying a sense of weariness or deep contemplation. The background is largely absent, forcing the viewer to engage directly with the subject's features. The woodcut medium itself contributes to the aesthetic, as the visible grain and the resistance of the wood block inform the final appearance of the lines. This portrait is not a realistic likeness in the traditional sense, but rather an interpretation of the sitter's character through the lens of the artist's own subjective experience. Kirchner's technique here reflects his interest in the primitive and the directness of the woodcut process. By stripping away unnecessary detail, he achieves a graphic clarity that communicates the emotional weight of the subject. The portrait remains a notable example of his printmaking practice, which allowed him to experiment with form and texture in ways that differed from his painting. The work captures a specific moment in the artist's life, documenting his relationship with a figure who played a role in his professional career during a period of personal transition.