Magdalena Ventura with Her Husband and Son - Jusepe de Ribera
Archival giclée
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Description
A 1631 Baroque portrait by Jusepe de Ribera depicting Magdalena Ventura, a woman known for her hirsutism, alongside her husband and infant son.
Painted in 1631, this work by Jusepe de Ribera depicts Magdalena Ventura, a woman from the Abruzzo region of Italy who was known for her hirsutism. Commissioned by the Third Duke of Alcalá, Fernando Afán de Ribera, the painting documents a medical curiosity of the seventeenth century. Ribera presents the subject with a direct, unflinching gaze, seated with her husband and infant son. The composition employs a stark chiaroscuro, a technique characteristic of the artist's training in the tradition of Caravaggio. The light source illuminates the textures of the clothing and the physical features of the figures, while the background remains obscured in shadow. To the left of the figures, a stone tablet provides a detailed Latin inscription. This text explains the circumstances of the commission and describes the subject's condition, framing the painting as a scientific record rather than a conventional portrait. The inclusion of the husband and child provides a domestic context, contrasting the biological anomaly of the mother with the ordinary appearance of her family. Ribera captures the physical reality of the subjects with precision, avoiding idealisation. The work remains in the collection of the Fundación Casa Ducal de Medinaceli, housed at the Hospital de Tavera in Toledo. It is a significant example of how seventeenth-century artists engaged with the unusual, the medical, and the empirical, moving beyond religious or mythological subjects to document the diversity of human experience.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Magdalena Ventura with Her Husband and Son - Jusepe de Ribera
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Jusepe de Ribera
Ribera's paintings are characterised by their raw, almost brutal, depiction of human suffering and religious ecstasy. He frequently portrayed saints and philosophers as weathered, world-worn figures, imbuing them with a palpable sense of humanity. Key works such as 'The Martyrdom of Saint Bartholomew' and 'The Clubfoot' showcase his mastery of light and shadow, and his willingness to confront difficult subjects with unflinching honesty. This unflinching approach earned him both admirers and detractors, but it also solidified his reputation as one of the most important and influential artists of his time.
Despite his Spanish roots, Ribera spent the majority of his career in Italy, becoming known as 'Lo Spagnoletto' (the Little Spaniard). He left behind a legacy of powerful and moving artworks that continue to resonate with viewers today. His influence can be seen in the works of later masters such as Goya and Rembrandt, who admired his ability to capture the human condition with such visceral intensity. Owning a Ribera print is to own a piece of art history, a testament to the enduring power of Baroque art.
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