A portrait of Miss Elizabeth Beauclerc depicted as the literary character Una, painted by Sir Joshua Reynolds in the late eighteenth century.

Sir Joshua Reynolds, the first President of the Royal Academy, frequently employed the practice of fancy pictures, where sitters were depicted in allegorical or literary guises. In this work, he portrays Miss Elizabeth Beauclerc, the daughter of Topham Beauclerc and Lady Diana Spencer, as the character Una from Edmund Spenser's epic poem, The Faerie Queene. In the narrative, Una represents truth and purity, accompanied by a lion that serves as her protector. Reynolds places the young girl in a dark, atmospheric setting that contrasts with her pale, luminous dress. Her posture is quiet and contemplative, with her hands clasped in her lap. Beside her, the lion is rendered in deep, earthy tones, blending into the shadows of the woodland background. The artist uses his characteristic loose brushwork to define the textures of the girl's hair and the soft fabric of her gown, while the surrounding environment remains largely obscured by shadow. This approach directs the viewer's attention to the subject's face and her gentle expression. This painting reflects the eighteenth-century interest in classical literature and the tradition of the grand manner in portraiture. By casting a contemporary child in a role from a sixteenth-century poem, Reynolds elevates the subject beyond a simple likeness. The composition relies on the interplay between light and dark, a technique Reynolds refined through his study of Old Master paintings. The work remains a representative example of his ability to blend portraiture with narrative elements, creating a scene that feels both intimate and staged. The muted palette and the soft focus on the figure contribute to the dreamlike quality of the piece, typical of his later works where he experimented with experimental pigments and glazing techniques.