A hand-coloured woodcut by Swiss Renaissance artist Urs Graf, depicting the Mocking of Christ with the sharp, expressive lines typical of early sixteenth-century printmaking.

This hand-coloured woodcut by the Swiss artist Urs Graf depicts the biblical scene of the Mocking of Christ. Graf, a goldsmith and printmaker active in Basel, is known for his expressive and often gritty approach to graphic arts. The composition centres on the figure of Christ, who sits in a state of resignation while surrounded by his tormentors. The figures are rendered with the sharp, angular lines characteristic of early sixteenth-century woodblock printing. The artist employs a direct, unadorned style to convey the narrative. The figures wear contemporary sixteenth-century attire, a common practice in Northern Renaissance art to bring biblical events into the immediate experience of the viewer. One figure stands to the left, raising a staff, while another kneels to the right, gesturing towards Christ. The background is composed of simple, horizontal hatching, which provides a sense of enclosure without distracting from the primary action. The application of colour is modest, using muted tones to define the clothing and the forms of the figures. This print reflects the broader production of small-scale devotional images that were popular in the early modern period. Such works were often produced for private contemplation or as illustrations for religious texts. Graf's work is notable for its raw energy and its departure from the more polished, idealised forms found in Italian art of the same period. The print captures a moment of intense human cruelty, presented with the stark clarity typical of the woodcut medium. It remains a clear example of the graphic traditions of the Swiss Renaissance, where the focus remained on narrative urgency and the expressive potential of the line.