A satirical mezzotint by Jacob Gole depicting a monk laden with apothecary tools, accompanied by a cynical verse regarding his trade.

This mezzotint by Jacob Gole, titled 'Monnik met apothekersgerei' or 'The Apothecary Monk', offers a satirical view of religious and medical figures in the early eighteenth century. Gole, a Dutch engraver and publisher active in Amsterdam, utilised the mezzotint technique to achieve soft gradations of tone, which are evident in the modelling of the monk's face and the metallic sheen of his equipment. The subject is depicted in profile, wearing a funnel-like hat and carrying various apothecary tools, including a pestle held in his mouth. The composition is contained within a circular frame, a common format for character studies of the period.

The print includes a French inscription below the image, which translates to a cynical commentary on the monk's trade. The text suggests that his remedies are made with holy water and sold at double the price to fund his own sustenance, while noting that these cures only function if the patient possesses faith. This combination of visual caricature and biting social critique reflects a broader interest in the Dutch Republic regarding the perceived greed or hypocrisy of certain ecclesiastical figures. The work functions as a piece of social commentary, using humour to address the intersection of faith and commerce. Gole's technical skill allows for a high degree of detail in the textures of the monk's habit and the various jars and instruments he carries. The print is a characteristic example of the satirical portraiture that circulated in European print markets during the late seventeenth and early eighteenth centuries, providing insight into the popular culture and moral attitudes of the era.