A striking expressionist work by Marsden Hartley featuring a raised red hand surrounded by glowing orbs. This 1932 painting reflects the artist's interest in mystical symbolism and bold colour.

Marsden Hartley painted Morgenrot during a period of intense personal and artistic transition. The title translates from German as "Morning Red" or "Dawn". This work reflects Hartley's long association with German culture and his interest in mystical symbolism. The central motif is a large red hand. It is outlined in white and set against a dark, almost black void. Surrounding the hand are several circular forms that resemble glowing orbs or celestial bodies. These spheres appear to radiate light, creating a sense of depth within the otherwise flat arrangement. The composition is flat and direct. Hartley used heavy, deliberate brushstrokes to define the forms. The colour palette is dominated by deep blues and the striking red of the hand. This imagery suggests a spiritual or symbolic meaning rather than a literal representation. Hartley often used such symbols to express internal emotional states or metaphysical ideas. The hand itself is a recurring motif in his later work, often associated with themes of labour and identity. The cuff of the hand features a circular emblem, repeating the orb motif found in the background. Hartley was a member of the Stieglitz circle in New York but spent significant time in Europe. His exposure to the German Expressionist movement, particularly the work of Wassily Kandinsky and Franz Marc, influenced his approach to colour and form. Morgenrot demonstrates this influence through its bold outlines and non-naturalistic use of colour. The work is a clear example of Hartley's unique brand of American Modernism, which combined European avant-garde techniques with a personal, often brooding sensibility. The painting was created around the time of his travels to Mexico, where he continued to explore themes of ancient power and spiritual iconography.