No. 2 - Mark Rothko
Archival giclée
Ready to hang
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Made to order
Description
Mark Rothko's 'No. 2' (1962) is a quintessential example of Abstract Expressionism, featuring his iconic colour field composition in muted, dark tones. This fine art print offers a touch of modern sophistication and contemplative depth to any space.
Mark Rothko's 'No. 2' from 1962 exemplifies his signature style of Abstract Expressionism. Rothko, a Latvian-born American painter, is renowned for his large-scale colour field paintings that evoke profound emotional responses. This work features two dominant rectangular fields of muted, dark tones, one resting above the other. The subtle gradations within each rectangle create a sense of depth and luminosity, inviting viewers into a meditative experience. Rothko aimed to express fundamental human emotions through colour and form, rejecting traditional narrative and representational elements. His paintings are not merely decorative; they are intended to be immersive and contemplative. As a fine art print, 'No. 2' brings a touch of modern sophistication to any interior. Its minimalist aesthetic and deep, resonant colours make it a versatile addition to living rooms, studies, or hallways, providing a focal point that encourages reflection and introspection. The print captures the essence of Rothko's artistic vision, allowing you to bring a piece of art history into your home.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
No. 2 - Mark Rothko
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Why Choose Us ?
100% Satisfaction Guarantee
Fast Shipping
Museum-Quality Materials
Artist Biography
Mark Rothko
Rothko's artistic journey evolved from early figurative works to his signature style of large, luminous rectangles of colour. These weren't mere exercises in aesthetics; Rothko intended them to be immersive experiences. He meticulously controlled the lighting and viewing conditions of his exhibitions, wanting viewers to be enveloped by the canvases and to contemplate their own existence. Famously, Rothko was commissioned to create murals for the Four Seasons Restaurant in New York, but he ultimately withdrew from the project, feeling it was inappropriate for such a setting.
Tragically, Mark Rothko's life ended in suicide in 1970, but his legacy endures. His paintings continue to captivate and challenge audiences, prompting introspection and emotional responses. Rothko's works, such as "Orange, Red, Yellow", are not just paintings; they are invitations to contemplate the human condition. His art remains a powerful testament to the expressive potential of abstract form.
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