No. 6 (Yellow, White, Blue over Yellow on Gray) - Mark Rothko
Archival giclée
Ready to hang
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Made to order
Description
A classic colour field painting by Mark Rothko, 'No. 6' features luminous blocks of yellow, white, and blue, creating a serene and contemplative atmosphere. This fine art print adds a touch of modern elegance to any space.
Mark Rothko's 'No. 6 (Yellow, White, Blue over Yellow on Gray)' is a seminal work of Abstract Expressionism, painted in 1954. Rothko, a Latvian-born American artist, is renowned for his large-scale colour field paintings that evoke profound emotional responses. This particular piece exemplifies his signature style, featuring horizontal blocks of luminous colour that seem to float and interact with one another. The layering of yellow, white, and blue over a yellow and grey base creates a sense of depth and atmospheric perspective, inviting viewers into a meditative experience. Rothko aimed to express fundamental human emotions through his art, and the subtle gradations and blurred edges of the colour fields encourage contemplation and introspection. As a fine art print, 'No. 6' brings a touch of modern elegance and intellectual depth to any interior. Its harmonious colour palette and minimalist composition make it a versatile addition to various decor styles, from contemporary to classic. This print serves as a focal point, sparking conversation and providing a serene visual escape within the home.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
No. 6 (Yellow, White, Blue over Yellow on Gray) - Mark Rothko
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Why Choose Us ?
100% Satisfaction Guarantee
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Museum-Quality Materials
Artist Biography
Mark Rothko
Rothko's artistic journey evolved from early figurative works to his signature style of large, luminous rectangles of colour. These weren't mere exercises in aesthetics; Rothko intended them to be immersive experiences. He meticulously controlled the lighting and viewing conditions of his exhibitions, wanting viewers to be enveloped by the canvases and to contemplate their own existence. Famously, Rothko was commissioned to create murals for the Four Seasons Restaurant in New York, but he ultimately withdrew from the project, feeling it was inappropriate for such a setting.
Tragically, Mark Rothko's life ended in suicide in 1970, but his legacy endures. His paintings continue to captivate and challenge audiences, prompting introspection and emotional responses. Rothko's works, such as "Orange, Red, Yellow", are not just paintings; they are invitations to contemplate the human condition. His art remains a powerful testament to the expressive potential of abstract form.
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