A study of flowering oleander branches in a jug, painted by Vincent van Gogh in Arles in 1888, featuring his signature impasto technique and bold colour contrasts.

Painted in Arles in August 1888, this work depicts a ceramic jug filled with flowering oleander branches. The composition is set against a flat, lime-green background that pushes the subject forward. Van Gogh applied paint with his characteristic impasto technique, using thick, directional brushstrokes to define the form of the petals and the sharp, lanceolate leaves. The jug itself is dark, providing a visual anchor for the lighter, pink-hued blossoms. To the left of the jug, two books rest on the table surface. The inclusion of these objects, specifically Émile Zola's 'La Joie de vivre', suggests a personal connection to contemporary literature. The table is rendered with a series of violet and blue strokes, creating a contrast with the yellow of the books and the green of the background. This use of complementary colours is a hallmark of Van Gogh's practice during his time in the south of France. He often sought to create harmony through the juxtaposition of opposing hues rather than through subtle blending. The painting demonstrates his interest in the decorative potential of the canvas. The arrangement of the flowers is somewhat chaotic, yet it remains contained within the space of the jug. The light source is not explicitly defined, as the shadows are minimal and the colours are applied with a uniform intensity. This approach flattens the pictorial space, drawing attention to the surface of the canvas and the physical quality of the oil paint. The work remains a clear example of his ability to transform a domestic subject into a study of colour theory and expressive mark-making.