Ornamental Design for a Bookbinding Stamp - Samuel Jessurun de Mesquita
Archival giclée
Ready to hang
Secure checkout
Made to order
Description
A striking geometric design by Samuel Jessurun de Mesquita, this work presents a study for an ornamental bookbinding stamp, displaying a stylised approach to natural forms and a restrained elegance typical of Art Deco.
This striking design by Samuel Jessurun de Mesquita presents a study for an ornamental bookbinding stamp. De Mesquita, a Dutch artist of Sephardic Jewish descent, is known for his graphic work, woodcuts, and printmaking. His work often displays a stylised, almost geometric approach to natural forms, influenced by Indonesian art and the Amsterdam School. Tragically, he, along with his family, were murdered in Auschwitz during the Second World War. His work was nearly forgotten, but was preserved by his friend M.C. Escher. The design features a symmetrical arrangement of geometric shapes. Vertical lines flank the sides, topped with concentric circles and stylised lotus-like forms. Below, a row of circles on thin stems creates a sense of balance and rhythm. The stark contrast between the black ink and the white paper enhances the design's graphic impact. The overall effect is one of restrained elegance, typical of Art Deco aesthetics, blending modern simplicity with classical motifs.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Ornamental Design for a Bookbinding Stamp - Samuel Jessurun de Mesquita
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Why Choose Us ?
100% Satisfaction Guarantee
Fast Shipping
Museum-Quality Materials
Artist Biography
Samuel Jessurun de Mesquita
He was born in Amsterdam in 1868, of Portuguese Sephardic Jewish origin. He trained there and was appointed teacher at the School of Architecture and Decorative Arts in Haarlem in 1902, where he remained until 1926. Escher was his most famous student; it was De Mesquita who convinced the young Escher to abandon architecture for graphic arts, a decision that changed twentieth-century visual culture.
De Mesquita produced over four hundred prints, including woodcuts, wood engravings, etchings and lithographs, plus drawings and textile designs. His animal and bird woodcuts, with their stark black-and-white stylisation influenced by Japanese ukiyo-e, are among his most distinctive work. He was not religiously observant despite his Sephardic community background. His wife Elisabeth was gassed alongside him at Auschwitz; their son Jaap perished at Theresienstadt a month later. He died at Auschwitz, around 11 February 1944, at seventy-five.
You May Also Like

