Painting No. 50 - Marsden Hartley
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Description
An abstract composition from Marsden Hartley's Berlin period, featuring military symbols and geometric patterns in bold colours.
Marsden Hartley painted this work during his residence in Berlin between 1914 and 1915. It belongs to a series of abstract compositions often referred to as the War Motifs or German Officer paintings. These works are characterised by their use of military insignia, heraldry, and personal symbols. Hartley was influenced by the pageantry of pre-war Berlin and the visual language of the German military. The composition is strictly symmetrical and built upon a black ground. It features a central white triangle that suggests a tent or a stylised figure. Within and around this shape, Hartley arranged various motifs including red circles, yellow zig-zags, and striped patterns. The upper portion contains curved forms resembling epaulettes or wings, decorated with small symbols and numbers. White polka dots on a red field appear in the upper corners, contrasting with the dark background. Hartley developed this style after moving away from his earlier interest in spiritualism and the theories of Wassily Kandinsky. He focused instead on the physical objects and uniforms he observed in the city. The use of numbers and letters in the work likely refers to specific regiments or personal associations. This painting represents a period where Hartley combined European avant-garde techniques with a personal symbolic vocabulary. The application of paint is flat and direct, with heavy outlines defining the geometric segments.
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Painting No. 50 - Marsden Hartley
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Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
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- Frames: black, natural wood, dark wood or white
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Artist Biography
Marsden Hartley
Returning to the United States, Hartley sought to capture the essence of the American landscape and its people. He embraced a more representational style, focusing on the rugged beauty of his native Maine and the working-class communities he encountered. His "Dogtown" series, depicting the desolate landscape of a former settlement, showcases his ability to find beauty in the stark and unforgiving. These works are not mere landscapes; they are meditations on memory, loss, and the enduring power of nature.
Despite facing personal struggles and periods of obscurity, Hartley remained committed to his artistic vision. His willingness to experiment with different styles and subjects, from abstract symbolism to representational landscapes, makes him a truly unique and compelling figure. Marsden Hartley died in 1943, leaving behind a body of work that continues to challenge and inspire, inviting viewers to contemplate the complexities of identity, place, and the human condition.
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