An abstract composition by Paul Klee from 1938 featuring a grid of blue and green rectangles. The work uses heavy black outlines to create a structure similar to stained glass.

Paul Klee painted "Park near Lu" in 1938 during his final years in Bern. This period followed his departure from Germany after the rise of the National Socialist party. The composition consists of a dense grid of small coloured squares and rectangles. These geometric units are separated by heavy black lines, a technique that recalls the lead cames of stained glass windows. This structural approach was a recurring theme in Klee's late work, where he sought to balance rigid geometry with organic inspiration. The colour palette is dominated by cool tones. Various shades of blue and green create a sense of foliage and water. Klee uses these colours to suggest the atmosphere of a park without relying on literal representation. A few sections of off-white and a single muted pink block provide contrast against the darker grid. The arrangement is not perfectly symmetrical. Instead, Klee varies the size and orientation of the rectangular clusters to create a rhythmic quality across the surface. This variation prevents the grid from appearing static or mechanical. Klee was interested in the relationship between music and visual art. In this work, the repetition of squares functions like a musical score or a series of notes. The heavy outlines provide a structural framework that contains the colours. This method allows the artist to explore the interaction of light and shadow through a strictly controlled geometric system. The texture of the underlying support is visible through the paint, adding a tactile quality to the flat composition. The reduction of the natural world to basic components of colour and line is characteristic of Klee's late abstract style.