A striking Surrealist interpretation of the Greek myth of Pasiphae, rendered in bold lines and earth tones by André Masson.

André Masson, a central figure in the Surrealist movement, produced this interpretation of the Greek myth of Pasiphae during his period of exile in the United States. The work depicts the Cretan queen in a physical union with the bull, a subject that allowed Masson to explore themes of eroticism, violence, and the subconscious mind. His approach to the myth is not one of classical restraint, but rather a raw, visceral examination of human desire and animal instinct. The composition is dominated by the heavy, earth-toned form of the bull, which occupies the centre of the frame. Masson uses bold, black outlines to define the figures, creating a stark contrast against the pale, almost luminous skin of Pasiphae. The background is minimal, featuring a simplified architectural element that suggests a structure, perhaps a reference to the labyrinth of Knossos. The dark, moody sky provides a sense of enclosure, forcing the viewer to focus on the central interaction. Masson was deeply interested in automatic drawing and the expression of internal states. In this piece, the distortion of the figures reflects his rejection of traditional perspective and anatomical accuracy. The geometric patterns on the bull's flank add a decorative, almost archaic quality to the scene, grounding the mythological subject in a primitive aesthetic. The brushwork is deliberate, with visible texture that adds to the overall intensity of the image. This work remains a clear example of Masson's ability to translate complex psychological narratives into visual form, using the language of myth to address universal human experiences. The stark palette and aggressive lines create a sense of urgency, capturing a moment of mythic transformation.