Pier in Gurzuf - Konstantin Korovin
Archival giclée
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Description
A sunlit Impressionist scene of a wooden pier in Crimea, painted with loose brushwork and a palette of lavender, white, and blue.
Konstantin Korovin painted this scene in 1914 during his stay at his dacha in Gurzuf, Crimea. The work captures a sunlit moment on a wooden pier overlooking the Black Sea. Korovin was a leading figure in the Russian Impressionist movement. He applied paint with rapid, loose brushstrokes to record the immediate effects of light and atmosphere. The composition features several figures resting on the pier. A man in a light suit and straw hat sits on a bench in the foreground, while other figures stand or sit further back. The wooden planks of the pier are rendered with broad strokes of white, lavender, and grey, suggesting the glare of the midday sun. In the background, the hillside of Gurzuf rises with white buildings and green foliage, all treated with the same sketchy, spontaneous technique. Korovin often visited the Crimean coast to study the specific qualities of southern light. This painting avoids detailed anatomical or architectural precision. Instead, it focuses on the interplay of shadows and bright surfaces. The palette consists of cool blues and purples contrasted with warm ochres and greens. This approach was characteristic of Korovin's later style, where he prioritised the emotional impression of a scene over literal representation.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Pier in Gurzuf - Konstantin Korovin
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Konstantin Korovin
He was born in Moscow in 1861 and studied under Savrasov and Polenov at the Moscow School. He was close to Mamontov's Abramtsevo circle and designed prolifically for the Bolshoi and Mariinsky theatres. His Parisian cafe scenes and Crimean landscapes use loose, luminous brushwork. After the Revolution he emigrated to Paris in 1923. He died in Paris in 1939.
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