Pieta (Drama Komödie Sommer Theater Poster) - Oskar Kokoschka
Archival giclée
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Description
A lithographic poster by Oskar Kokoschka advertising the Drama Komödie Sommer Theater in 1909. The poster exemplifies early Expressionism with distorted figures in stark colours, conveying unease and emotional intensity.
This lithographic poster by Oskar Kokoschka advertises the Drama Komödie Sommer Theater. Created in 1909, the poster exemplifies the early Expressionist style that Kokoschka helped pioneer in Vienna. The composition depicts a distorted, almost skeletal figure cradled in the arms of another. The figures are rendered in stark reds and whites against a dark blue and black background, creating a sense of unease and emotional intensity. The lettering at the top and bottom of the poster is bold and angular, typical of Expressionist typography. Kokoschka's early work often explored themes of psychological distress and alienation. This poster reflects the anxieties of the pre-war period in Europe. The figures' contorted poses and exaggerated features convey a sense of anguish and vulnerability. The poster's design is deliberately unsettling, aiming to provoke a strong emotional response from the viewer. The overall effect is a powerful and disturbing image that captures the spirit of early Expressionism.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Pieta (Drama Komödie Sommer Theater Poster) - Oskar Kokoschka
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Oskar Kokoschka
He was born in 1886 in Pochlarn, Austria. He was shot through the head in Ukraine and bayoneted in the chest in Russia. He survived both.
After the war, he commissioned a Munich dollmaker named Hermine Moos to create a life-size replica of Alma, sending detailed instructions about the feel of her skin and the weight of her body. Moos covered the figure in feathers instead. Kokoschka eventually staged a public execution: he decapitated the doll and smashed a bottle of wine over its head on his lawn. The police arrived the next morning, thinking he had murdered a woman.
The Nazis declared him a degenerate artist. He fled Czechoslovakia for London after the Munich Agreement and became a British citizen in 1947. His Expressionist portraits are among the most psychologically penetrating of the twentieth century: raw, agitated surfaces that seem to expose the sitter's interior state. He lived to ninety-four.
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