Plattegrond van Luik - Unknown Artist
Archival giclée
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Description
A detailed eighteenth-century map of Liège, featuring the city fortifications and the Meuse River, published in Amsterdam by Pieter Mortier.
This cartographic work presents a detailed plan of the city of Liège, as it appeared during the early eighteenth century. The etching provides a clear view of the urban layout, including the Meuse River, the fortifications, and the citadel. The map is oriented with the north towards the top, showing the strategic defensive structures that defined the city during the period of the War of the Spanish Succession. Below the map, a decorative cartouche features allegorical figures, which was a common practice in Dutch and Flemish mapmaking of the era. The accompanying text, printed in both Dutch and French, provides historical context regarding the city, its location, and the military situation at the time of publication. The text mentions the siege of the city by Allied forces, reflecting the geopolitical tensions of 1702. The typography and layout are characteristic of the publications produced by Pieter Mortier in Amsterdam, a publisher known for his extensive collection of maps and atlases. The print demonstrates the technical precision of copperplate engraving. The lines are sharp and controlled, allowing for the legible depiction of street patterns and defensive walls. The composition balances the functional requirements of a military map with the aesthetic expectations of a contemporary audience. This piece offers a glimpse into the intersection of military history and graphic arts, documenting the physical state of a European city during a period of conflict. It serves as a record of urban development and defensive engineering, capturing the specific topography of Liège before later industrial expansion altered its character. The inclusion of bilingual text indicates the international reach of such publications, intended for a scholarly and military audience across Europe.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Plattegrond van Luik - Unknown Artist
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Unknown Artist
The artistic approach of the Unknown Artist varies between the formal composition of the carte-de-visite and the narrative style of the war prints. In the Moroccan portraits, the focus rests on the subject's posture and attire against a neutral studio backdrop. The Japanese prints use bold lines and flat colours to depict military movements and naval victories. Despite the lack of a specific attribution, these works demonstrate a high level of technical skill in both lithography and woodblock carving.
Modern collectors often value anonymous works for their mystery and focus on the image itself. These prints provide a direct connection to history without the distraction of a famous name. They function as windows into the 19th-century world, from the quiet dignity of a young girl in a studio to the chaos of a distant conflict. These pieces offer a sense of discovery for those who appreciate the aesthetic qualities of vintage photography and historical illustration.
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