Fine Art Poster
From $29
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Archival giclée
Frames arrive ready to hang
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Made to order
A detailed archaeological study of a Mesoamerican plumed serpent sculpture, rendered in oil by Joseph Lindon Smith.
Joseph Lindon Smith was an American painter known for his precise, documentary-style depictions of archaeological sites and artefacts. He spent much of his career travelling to Egypt, Greece, and Mesoamerica, where he produced works that captured the texture and form of ancient stone carvings. This painting depicts a stone sculpture of a plumed serpent, a motif associated with various Mesoamerican cultures, including the Maya and the Aztecs.
Smith developed a unique technique to represent the physical presence of these objects. He applied oil paint in a manner that mimics the weathered surface of stone, often using a palette of earthy tones to suggest the passage of time and the effects of exposure. His approach prioritised accuracy over artistic interpretation, as he aimed to provide a visual record for scholars and the public alike. By focusing on the sculptural details, such as the scales, the curled snout, and the open jaw, Smith brings the viewer into direct contact with the craftsmanship of the original artisan.
This work reflects the early twentieth-century fascination with global archaeology. Smith worked closely with institutions such as the Peabody Museum of Archaeology and Ethnology at Harvard University, often painting on-site during excavations. His paintings were frequently used to communicate the scale and detail of discoveries that were difficult to photograph with the equipment of the era. The composition here is straightforward, placing the serpent head against a neutral background to ensure that the viewer focuses entirely on the form. It serves as a record of a specific cultural object, preserved through the medium of oil on canvas, offering a glimpse into the intersection of art and historical documentation.
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Every Solis piece is made to order with archival, gallery-quality materials built to last.
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Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From $29
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From $89
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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Museum-Quality Materials
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