Portrait of a Seated Civil Official - Unknown Artist
Archival giclée
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Description
A formal Joseon Dynasty portrait of a civil official, featuring a red robe and crane-adorned rank badge, rendered in traditional ink and colour on silk.
This portrait depicts a high-ranking civil official from the Joseon Dynasty, rendered in the traditional style of Korean ancestor portraiture. The subject sits in a frontal, symmetrical pose, a convention designed to convey authority, stability, and the moral rectitude expected of a government official. He wears a formal red robe, which signifies his status, and a black official hat known as an obo. The most striking feature of the garment is the rank badge, or hyungbae, positioned on the chest. This embroidered square displays two cranes amidst clouds, a motif that identifies the official as a high-ranking member of the civil service. The artist has used fine, controlled brushwork to delineate the facial features, capturing a sense of individual character through the subtle shading of the skin and the precise rendering of the beard and moustache. The composition is deliberately flat, focusing on the symbolic elements of the official's rank and position rather than creating a sense of three-dimensional space. The background is a neutral, muted tone, which ensures that the bold red of the robe remains the primary visual element. The official rests his feet on a decorated footstool, adding a final touch of formality to the scene. Such portraits were often commissioned by families to be used in ancestral rites. They functioned as a physical presence of the deceased, allowing descendants to pay their respects and maintain a connection to their lineage. The preservation of these works on silk has allowed the colours to retain a degree of their original clarity, offering a window into the aesthetic and social hierarchies of eighteenth-century Korea. This print captures the meticulous detail of the original silk painting, from the texture of the robes to the steady gaze of the official.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Portrait of a Seated Civil Official - Unknown Artist
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Unknown Artist
The artistic approach of the Unknown Artist varies between the formal composition of the carte-de-visite and the narrative style of the war prints. In the Moroccan portraits, the focus rests on the subject's posture and attire against a neutral studio backdrop. The Japanese prints use bold lines and flat colours to depict military movements and naval victories. Despite the lack of a specific attribution, these works demonstrate a high level of technical skill in both lithography and woodblock carving.
Modern collectors often value anonymous works for their mystery and focus on the image itself. These prints provide a direct connection to history without the distraction of a famous name. They function as windows into the 19th-century world, from the quiet dignity of a young girl in a studio to the chaos of a distant conflict. These pieces offer a sense of discovery for those who appreciate the aesthetic qualities of vintage photography and historical illustration.
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