Portrait of Adolf Loos - Oskar Kokoschka
Archival giclée
Ready to hang
Secure checkout
Made to order
Description
A portrait of Adolf Loos by Oskar Kokoschka, rendered in an expressionistic style with muted colours and loose brushwork. The painting captures the intellectual intensity of the influential Austrian architect.
This portrait of Adolf Loos is by Oskar Kokoschka (1886-1980), an Austrian artist known for his intense, psychologically charged portraits and expressionistic style. Kokoschka's work often explored themes of human emotion and the complexities of the human condition. He was a significant figure in the Expressionist movement, which sought to convey subjective emotions and experiences through bold colours and distorted forms. The painting depicts Adolf Loos, a highly influential Austrian architect and theorist known for his rejection of ornamentation in design. Loos is shown seated, his hands clasped tightly together, with a somewhat melancholic expression. The colour palette is dominated by muted greens, browns, and blues, which contribute to the overall sombre mood of the piece. Kokoschka's brushwork is loose and expressive, adding to the emotional intensity of the portrait. The background is dark and indistinct, drawing attention to Loos's face and hands, which are rendered with careful detail. The portrait captures Loos's intellectual intensity and perhaps hints at the controversial nature of his architectural theories.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Portrait of Adolf Loos - Oskar Kokoschka
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Why Choose Us ?
100% Satisfaction Guarantee
Fast Shipping
Museum-Quality Materials
Artist Biography
Oskar Kokoschka
He was born in 1886 in Pochlarn, Austria. He was shot through the head in Ukraine and bayoneted in the chest in Russia. He survived both.
After the war, he commissioned a Munich dollmaker named Hermine Moos to create a life-size replica of Alma, sending detailed instructions about the feel of her skin and the weight of her body. Moos covered the figure in feathers instead. Kokoschka eventually staged a public execution: he decapitated the doll and smashed a bottle of wine over its head on his lawn. The police arrived the next morning, thinking he had murdered a woman.
The Nazis declared him a degenerate artist. He fled Czechoslovakia for London after the Munich Agreement and became a British citizen in 1947. His Expressionist portraits are among the most psychologically penetrating of the twentieth century: raw, agitated surfaces that seem to expose the sitter's interior state. He lived to ninety-four.
You May Also Like