A stark, expressive lithograph portrait of playwright Carl Sternheim by German Expressionist Ernst Ludwig Kirchner, created in 1916.

This lithograph by Ernst Ludwig Kirchner depicts the German playwright Carl Sternheim. Produced in 1916 for the periodical Der Bildermann, the work captures the subject with the angular, distorted aesthetic characteristic of the Die Brücke group. Kirchner employs a stark, high-contrast approach, using heavy black ink to define the contours of Sternheim's face and the shadows surrounding him. The lines are jagged and deliberate, conveying a sense of psychological tension rather than mere physical likeness. Sternheim is shown in a contemplative pose, his hand resting near his chin. His features are reduced to essential, sharp shapes, with deep-set eyes and a prominent moustache. The background is composed of rough, textured marks that press against the figure, creating a claustrophobic atmosphere. This technique reflects the artist's interest in the graphic potential of lithography, where the physical act of drawing onto the stone allows for a direct, unrefined expression of the subject's inner state. Kirchner was a central figure in the development of German Expressionism. His work often focused on the urban experience and the complexities of human interaction during the early twentieth century. This portrait of Sternheim is a clear example of his ability to strip away academic detail in favour of emotional immediacy. The print demonstrates the artist's mastery of black and white composition, where the absence of colour forces the viewer to engage with the raw, rhythmic quality of the lines. It remains a significant example of the printmaking output associated with the German avant-garde during the First World War, documenting the intellectual circles in which Kirchner moved during his time in Berlin.