A nineteenth-century carbon print by Thomas Annan, documenting a historical portrait of Peter Lowe.

This photographic reproduction by Thomas Annan captures a historical portrait of Peter Lowe, a figure of medical significance in Scottish history. Annan, a Scottish photographer based in Glasgow, is recognised for his technical precision and his contribution to the documentation of historical subjects and urban environments during the nineteenth century. This specific work originates from a larger collection, likely a publication documenting historical figures or medical history, where photography was employed to preserve the likeness of paintings for wider circulation.

The image presents a formal portrait, typical of the period, showing the subject in attire consistent with earlier centuries. The photographic process used here, a carbon print, allows for a tonal range that captures the nuances of the original oil painting. The composition is straightforward, focusing on the facial features and the ruff collar, which provides a clear visual record of the subject. Annan's work in this medium demonstrates the transition from traditional portraiture to the use of photography as a tool for archival and historical study. The clarity of the reproduction allows for an examination of the subject's expression and the texture of the original painted surface.

As a piece of historical documentation, this print offers a glimpse into the methods used by Victorian institutions to catalogue their collections. The presentation within the book format suggests an educational or scholarly intent, providing a visual reference for those interested in the history of medicine or the evolution of portraiture. The work remains a clear example of the intersection between fine art and early photographic reproduction techniques, reflecting the period's interest in preserving historical identity through new technology.