A 1925 portrait by Pyotr Konchalovsky featuring his wife and daughter, characterised by bold forms and a structured, Cézanne-inspired approach to composition.

Pyotr Konchalovsky, a founding member of the Jack of Diamonds group, produced this portrait in 1925. The work depicts his wife, Olga Vasilievna Konchalovskaya, alongside their daughter, Natalia. The composition is structured around the bold, blue sofa, which serves as a central anchor for the figures. Konchalovsky employs a firm, constructive approach to form, a technique he developed through his study of Paul Cézanne. The brushwork is deliberate and heavy, prioritising the physical weight of the subjects over delicate detail. The colour palette is balanced, contrasting the deep, saturated blue of the furniture with the warm, muted tones of the clothing and the floor. Olga is seated in a relaxed, composed posture, dressed in a long, dark garment. Her daughter stands beside her, leaning against the sofa, wearing a red jacket and a white pleated skirt. The background is rendered with loose, expressive strokes, suggesting a domestic interior without providing excessive environmental detail. Konchalovsky was known for his interest in the materiality of paint. In this piece, the application of pigment creates a tactile surface that defines the volume of the figures. The interaction between the two subjects is quiet and observational, reflecting the artist's focus on the domestic sphere during this period of his career. The painting avoids sentimentality, opting instead for a rigorous exploration of shape, colour, and spatial relationships. By stripping away unnecessary ornamentation, Konchalovsky directs the viewer's attention to the structural integrity of the scene. This work is representative of the artist's mature style, where his earlier, more aggressive avant-garde tendencies transitioned into a more stable, classical approach to representation.