A detailed seventeenth-century engraving by Dominicus Custos depicting Helena Antonia, a bearded court figure, rendered with precise cross-hatching and formal composition.

This engraving by Dominicus Custos depicts Helena Antonia, a bearded woman who served at the court of Maria of Austria. The work captures the subject in a formal, standing pose, dressed in the elaborate attire typical of the late sixteenth-century European aristocracy. Her gown features a high collar and structured bodice, while her hair is styled in a close-fitting cap. The inclusion of a beard, which is rendered with precise, fine lines, serves as the primary focus of the portrait, documenting a figure who was often presented as a curiosity within courtly circles.

Custos employs a rigorous engraving technique, using cross-hatching and varied line weights to define the textures of the fabric, the architectural elements of the room, and the soft features of the subject. To the left, a chair holds a small, swaddled object, adding a domestic detail to the otherwise formal composition. The background includes a heavy curtain and a simple archway, which provide a sense of depth without distracting from the central figure. Below the image, a bilingual inscription in Latin and German provides biographical details, identifying the subject's origins in the Archbishopric of Liège and her age at the time of the portrait.

As a practitioner of the printmaking tradition in Augsburg, Custos was known for his technical precision and his ability to translate complex subjects into the medium of the copperplate. This print is a clear example of the period's interest in portraiture that combined social status with physical anomalies. The work remains a document of court life and the specific visual culture of the era, where such portraits functioned as both records of identity and objects of interest for collectors of curiosities.