A detailed etching by Charles Meryon depicting the historical presentation of a printed volume to King Louis XI at Plessis-les-Tours.

This etching by Charles Meryon depicts a formal historical scene set within the royal residence of Plessis-les-Tours. The composition focuses on the presentation of a printed volume of Valerius Maximus to King Louis XI. The monarch sits in a position of authority, receiving the book from a kneeling figure, while courtiers and attendants observe the exchange. Meryon employs a precise, linear technique that reflects his training and his interest in architectural detail, as well as his fascination with the history of printing in France.

The scene is contained within an arched frame, a common device in Meryon's work that separates the historical narrative from the surrounding paper. The figures are rendered in period-appropriate attire, with the artist paying close attention to the folds of their garments and the spatial arrangement of the room. A notable feature of this print is the inclusion of a single, gilded oak leaf motif positioned beneath the main image, which adds a decorative element to the otherwise austere, monochromatic composition.

Charles Meryon is primarily known for his atmospheric depictions of Paris, yet this work demonstrates his ability to engage with historical subjects. The etching captures a moment of cultural transition, marking the early days of the printing press in Paris. The artist uses a controlled, deliberate line to define the figures and the tiled floor, creating a sense of order and stillness. This print offers a glimpse into the artist's meticulous approach to composition and his interest in the intersection of historical events and the development of the book arts.