Promontory Palace - Yves Tanguy
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Description
Painted in 1931, Yves Tanguy's 'Promontory Palace' is a Surrealist painting featuring biomorphic forms in a dreamlike, desolate setting. The restrained colour palette and ambiguous shapes create an ethereal and unsettling atmosphere.
Yves Tanguy's 'Promontory Palace', painted in 1931, is a quintessential example of Surrealist painting. Tanguy, a self-taught artist, developed a distinctive style characterised by biomorphic forms and dreamlike, desolate settings. This work exemplifies his exploration of the subconscious, presenting a landscape populated by ambiguous, bone-like structures and amorphous shapes. The painting depicts a stark, otherworldly scene under a grey sky. The ground is a pale, undulating expanse, punctuated by various organic forms that resemble both geological formations and living organisms. These shapes cast long shadows, enhancing the sense of depth and mystery. A few vertical elements, reminiscent of architectural structures, add a touch of the familiar to the alien environment. The colour palette is restrained, dominated by whites, greys, and subtle blues, which contribute to the painting's ethereal and unsettling atmosphere. Tanguy's work, while abstract, evokes a sense of place and narrative, inviting viewers to interpret the scene through their own personal experiences and associations. 'Promontory Palace' is a visual representation of the Surrealist interest in the irrational and the exploration of inner psychological states.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Promontory Palace - Yves Tanguy
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Yves Tanguy
He was born in Paris in 1900. He briefly joined the merchant navy in 1918 before being drafted into the army, where he met the poet Jacques Prevert, who later introduced him to Andre Breton's Surrealist circle. He joined the Surrealists in 1925 and had his first solo show just two years later, having taught himself everything.
His paintings consistently depict flat, featureless landscapes resembling sea floors or alien terrain, populated by biomorphic forms that look like melted rocks or bones. He never explained them. The palette is muted, the horizons infinite, the atmosphere airless. The same vocabulary of forms appears across decades of work with only gradual variation.
He married the American Surrealist painter Kay Sage in Reno, Nevada, in 1940. They settled in Woodbury, Connecticut, converting an old farmhouse into a studio. He died there in 1955, aged fifty-five.
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