Red Square: Painterly Realism of a Peasant Woman in Two Dimensions - Kazimir Malevich
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Description
"Red Square: Painterly Realism of a Peasant Woman in Two Dimensions" by Kazimir Malevich is a seminal work of Suprematism. Painted in 1915, the artwork features a red square on a white background, representing a move towards pure abstraction and non-objective art.
Kazimir Malevich, a Russian avant-garde artist and art theorist, painted "Red Square: Painterly Realism of a Peasant Woman in Two Dimensions" in 1915. This work is a key example of Suprematism, an art movement he founded that focused on basic geometric forms, such as circles, squares, lines, and rectangles, painted in a limited range of colours. Suprematism sought to move away from representational art, aiming instead to convey pure artistic feeling through abstract forms. "Red Square" presents a simple, yet striking composition: a solid red square set against a white background. The square, slightly tilted, occupies a significant portion of the canvas, drawing the viewer's attention to its colour and shape. The title ironically refers to realism, challenging traditional notions of representation. Malevich's intention was to reduce painting to its most fundamental elements, stripping away any narrative or descriptive content. The work is not merely an exercise in abstraction; it is a statement about the potential of non-objective art to evoke emotion and convey meaning.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Red Square: Painterly Realism of a Peasant Woman in Two Dimensions - Kazimir Malevich
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Specific Features
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- Frames in black, natural wood, dark wood or white
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- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Kazimir Malevich
He was born in 1879 near Kyiv, to parents of Polish origin, the eldest of fourteen children. Nine survived to adulthood. He moved through Impressionism, Symbolism, Fauvism, and Cubism before arriving at Suprematism, a system of pure geometric abstraction that he invented in 1913. White on White (1918) pushed the principle to its logical end: a white square, barely visible, tilted on a white background.
In 1927, he took approximately seventy paintings to Berlin for an exhibition. Soviet authorities recalled him abruptly. He left the entire cache with a German architect named Hugo Haering and never saw them again. The works eventually ended up at MoMA in New York and the Stedelijk Museum in Amsterdam.
In 1930, the secret police arrested him, accused him of Polish espionage, and threatened execution. He was imprisoned for two months. His teaching position was taken away. Artworks and manuscripts were confiscated. He was banned from making art and forced to return to figurative painting under Stalin.
He died of cancer in 1935, aged fifty-six. On his deathbed, Black Square was hung above him. His ashes were buried at Nemchinovka. He had requested a Suprematist sculptural form to mark his grave. Instead, it was marked with a white cube bearing a black square, which was destroyed during the war.
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