A 1928 tempera painting by Edward Wadsworth, featuring a precise, nautical still life arrangement against a stark maritime horizon.

Regalia, painted by Edward Wadsworth in 1928, represents a specific phase in the artist's career where he moved away from the Vorticist abstraction of his earlier years towards a more controlled, maritime-themed realism. The composition features a collection of nautical instruments and objects arranged upon a flat, red surface. A bright red canister, draped with a string of wooden floats, occupies the centre of the frame. Surrounding this are various tools of navigation: a compass, a set square, a coiled rope, and a net-covered glass float. The background consists of a stark, horizontal horizon line separating a deep blue sky from the sea, punctuated by distant, simplified clouds and a lighthouse. Wadsworth utilised tempera for this work, a medium that allowed for the crisp edges and smooth, matte surfaces characteristic of his style during this period. The objects are rendered with a high degree of clarity, almost appearing as if they are floating in a vacuum. This approach reflects the influence of the New Objectivity movement, which sought to depict the physical world with clinical precision. The arrangement is deliberate, lacking the chaotic energy of his earlier work, and instead favouring a static, almost meditative quality. The choice of objects suggests a fascination with the technical aspects of seafaring, stripped of their functional context and presented as formal elements within a carefully balanced composition. This work demonstrates Wadsworth's ability to transform mundane nautical equipment into a structured, visual puzzle. The interplay between the geometric shapes of the tools and the organic forms of the rope and clouds creates a tension that is typical of his mid-career output. By placing these items on a plain, elevated plane, he removes them from their natural environment, forcing the viewer to engage with their form, colour, and texture in isolation.