Georges de la Tour's "Repenting Magdalene" is a Baroque painting using chiaroscuro to depict Mary Magdalene contemplating mortality. The candlelit scene invites reflection on faith and the transience of life.

Georges de la Tour's "Repenting Magdalene", also known as "Magdalene before Mirror" or "Magdalene Fabius", is a Baroque painting that exemplifies the artist's mastery of chiaroscuro. The composition is dominated by deep shadows, punctuated by the light of a single candle. This light source illuminates the figure of Mary Magdalene, who is shown in contemplation. Her face is partially lit, revealing a serene expression as she gazes at a skull. The skull rests on a table, along with a mirror reflecting another skull, symbolising mortality and vanitas. De la Tour was a French Baroque painter who is best known for his religious scenes and his use of tenebrism, a style of painting that uses strong contrasts between light and dark. He was influenced by the Dutch Caravaggisti, a group of artists who were inspired by the Italian painter Caravaggio. De la Tour's paintings are characterised by their simplicity, their realism, and their spiritual intensity. His work often explores themes of faith, repentance, and the transience of life. "Repenting Magdalene" is a powerful example of these themes, inviting viewers to reflect on the nature of existence and the importance of spiritual introspection.