Road with Cypresses - Vincent van Gogh
Archival giclée
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Description
A powerful Post-Impressionist work featuring a towering cypress tree against a swirling, star-filled sky, painted by Vincent van Gogh in 1890.
Painted in May 1890 near Saint-Rémy-de-Provence, this work captures the final months of Vincent van Gogh's time in the south of France. The composition is dominated by a towering, dark cypress tree that bridges the gap between the earth and the celestial sky. Van Gogh applied paint with thick, rhythmic brushstrokes, creating a sense of movement that permeates the entire surface of the canvas. The golden wheat fields to the left provide a warm contrast to the cool, swirling blues of the night sky, which features a crescent moon and a radiant star. Two figures walk along the path in the foreground, while a horse-drawn carriage moves further along the road. These elements provide a sense of scale and human presence within the natural setting. The cypress, which Van Gogh described in his letters as being as beautiful in line and proportion as an Egyptian obelisk, acts as a vertical anchor for the swirling energy of the atmosphere. The painting reflects the artist's focus on capturing the emotional resonance of his surroundings through colour and texture rather than literal representation. This work is part of a series of studies involving cypresses that occupied the artist during his stay at the asylum in Saint-Rémy. The application of paint is heavy and deliberate, a technique that allows the viewer to trace the physical movement of the artist's hand. The colour palette is balanced between the ochre tones of the harvest and the deep, nocturnal blues of the sky. It remains a clear example of the artist's ability to transform a familiar rural scene into a personal vision of nature. The work is currently held in the collection of the Kröller-Müller Museum in the Netherlands.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Road with Cypresses - Vincent van Gogh
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Vincent van Gogh
He taught himself to draw by copying prints and working through textbooks. His brother Theo, an art dealer in Paris, sent money every month for the rest of Vincent's life. Without Theo there are no paintings. The letters between them, over 600, are one of the most complete records of any artist's thinking. Van Gogh wrote about colour theory, composition, what he ate, what he read, how much he spent on paint. He was articulate and well-read and not, despite the popular version, simply mad.
He moved to Paris in 1886 and encountered Impressionism. The palette changed immediately: from the dark browns of his Dutch period to the colours people actually associate with his work. He met Gauguin, Pissarro, Signac, Toulouse-Lautrec. He absorbed Pointillism and Japanese prints. Then he moved to Arles in the south of France, where the light was better and people were fewer.
The Arles period produced Sunflowers, The Bedroom, Starry Night Over the Rhone. The breakdown followed: the argument with Gauguin, the severed ear (he cut part of his left ear, not the whole thing), the asylum at Saint-Remy, and then Auvers-sur-Oise, where he painted seventy canvases in seventy days before dying from a gunshot wound at thirty-seven. He sold one painting during his lifetime, or possibly two. Theo died six months later.
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