A satirical lithograph by Honoré-Victorin Daumier from the Les Cent et un Robert Macaire series, depicting a swindler acting as a marriage agent.

This lithograph belongs to the series Les Cent et un Robert Macaire, published in the French periodical Le Charivari. Honoré-Victorin Daumier utilised the character of Robert Macaire, a cynical swindler originally from the theatre, to satirise the social and political climate of the July Monarchy. In this specific plate, Macaire is depicted as a marriage agent, orchestrating a dubious introduction between a gullible gentleman and a pair of women. The composition focuses on the theatrical posturing of the figures, with Daumier employing his characteristic expressive line work to define their exaggerated features and costumes.

Daumier was a master of the lithographic medium, using it to provide sharp social commentary on the Parisian bourgeoisie. The figures are rendered with a sense of movement and psychological depth, despite the satirical nature of the scene. Macaire, with his oversized cravat and confident stance, contrasts with the more reserved, perhaps equally deceptive, figures he presents. The text below the image provides the dialogue, typical of the series, which serves to clarify the nature of the swindle. The print captures the atmosphere of 19th-century urban life, where social climbing and financial desperation often intersected in public spaces. Daumier's ability to capture the essence of human folly through simple, gestural marks remains a hallmark of his graphic output. This work offers a glimpse into the satirical culture of the period, where the press played a central role in shaping public opinion through visual wit.